if an internal mapping sound has no ride bell sound, the engine will now automatically use the normal ride sound. added some 32nd double stroke snare accents. added eight basic fills (names start with ‘BASIC…’). added numerical output in status bar for gain and compression sliders. 
key re-mapping now also affects MIDI input triggering internal sounds.outputs are now named ‘JS Out x’ with x being sequential in mono and stereo modes.If a sound has an output specified that is above the current maximum output number, it will be played through output 1. Sounds that are played on outputs 5-17 are not routed through the console so they have no gain control or compression within Jamstix. Internal sounds can now be routed to any output, not just 1-4.created sample set for default kit snare rimshots.added separate sound slot for snare rimshots.
added jamstix.ini option DefaultCompression (value range 0.99). added probability slider for hihat/ride eighths. fills and accents are now auto-shuffled in shuffle mode with much improved results. modified various fills and accents to use 32nd notes instead of triplets for better compatibility. added ‘Flip Stereo’ switch to internal engine setup. added ability to manually select snare and tom accents in the rhythm tab. It also offers jamming based on an extensive rhythm library as well as creating professional drum tracks complete with intro, fills and ending with its easy-to-use built-in arranger. While a growing number of software developers are implementing the MPE protocol, for the programs that were built with a keyboard or pad controller in mind, the Jamstik can swap into single-channel MIDI mode, which behaves more like a simple keyboard.Rayzoon‘s ground-breaking virtual drummer VSTi runs synchronized with your sequencer and jams with your MIDI play (or even audio-in signal) using its innovative free jam mode where rhythms are created on-the-fly. It's a more natural playing experience catering to the guitar controller, and also enables styles like palm mute to be recognized and synthesized in a way that makes sense and feels natural. This can be used to control the loudness and/or brightness of the synth voices so they decay along with your guitar strings. The Jamstik Studio also tracks the intensity of each string's vibration over time. 
Paired with a compatible sound generator, this means that the performance on one string does not affect the others, allowing for greater control over the sound and a more natural response from the sound generator. In MPE mode, each string of the Jamstik Studio controls a different MIDI channel-including MIDI notes, pitch bend, and importantly, expression information. The Jamstik was built as an MPE-capable controller, which helps immensely with achieving realistic guitar performance expression.
0 kommentar(er)
